Live video production requires cameras, a vision switcher, dedicated audio capture, an encoder to send the signal to the streaming platform, and stable internet with a backup path. The scale ranges from a single-camera setup for a webinar to a multi-camera unit with graphics, replay and redundant encoders for flagship events.
Every live production, whatever its size, is the same chain: capture, mix, encode, deliver.
The visible difference is lighting and camera work; the invisible difference is redundancy. Professional crews run backup recordings on every camera, a second encoder, and an alternative uplink, because a live event offers no second take. Graphics, lower thirds, countdowns and speaker slides are prepared and operated live, and a stream operator monitors platform health throughout rather than discovering problems from the chat.
A webinar or internal update needs one camera, one microphone and a software switcher, manageable by a two-person crew. A hybrid town hall or product launch typically runs two or three cameras, full audio, graphics and a director. Conferences and flagship launches add camera operators, replay, multilingual audio feeds and simultaneous recording for post-event editing.
For most companies, owning live equipment makes no sense; it is used a few times a year and ages quickly. What you are really buying from a production partner is the crew that has failed and recovered on a hundred streams before yours. At Viven we scale the kit to the event and always plan the recording so the live day also produces highlight clips and on-demand content afterwards, doubling what the same budget delivers.
Viven — Showreel
Tell us what you’re working on — you’ll get a clear quote, usually within one business day.