Product films and launch videos that make people want what you make — and click buy. Built for e-commerce, launches and retail, produced end to end from Zurich.
💰 Typical projects: CHF 4'000–15'000 · calculate yours →
From unboxing to launch day — everything your product needs to sell.
A hero film that makes your product the star — timed and built for launch day.
Cutdowns, loops and aspect ratios for product pages, social ads and marketplaces — built to convert clicks into buyers.
From controlled tabletop precision to real-world context — we plan, shoot and finish one accountable team, end to end.
We translate specs into a story people feel — what it does, why it matters, why now.
A few recent product films. Hit play.
The number of products and variants, studio versus location, motion design and the formats you need. Because we run production and post end to end, we scope precisely and quote a fixed price before we shoot.
A hero film for your product page, plus 9:16 and 1:1 cutdowns for social ads, short loops for listings and stills pulled from the shoot. Every deliverable is exported to the specs of your platforms.
Studio gives you total control over light and detail — ideal for tabletop and macro work. Location adds context and emotion — the product in real life. Many launches combine both; we plan and produce either, end to end.
Yes — the timeline is agreed before we start and built backwards from your launch. You see a first draft within two weeks of the shoot, with fixed review rounds so delivery never slips.
Four stages with dates agreed before we start: concept and script (1–2 weeks), pre-production — casting, locations, schedule (1 week), the shoot (1–3 days), then edit, grade and sound with a first cut within two weeks of wrapping. You have one contact person the whole way, and every milestone has a date in writing before the first invoice.
You do. The film, the footage and the project files are yours, with no expiry and no renewal fee to us. What does carry a term is what we license from third parties: music, stock and — when we cast professional talent — the usage agreed for their appearance, which is priced by territory and duration under the Swiss SSFV / SzeneSchweiz guidelines. All of that is written into the quote before the shoot, never invoiced afterwards.
Two, and they are in the schedule with dates: one on the first cut, one on the near-final version. In practice what decides whether two is enough is not the number — it is whether one named person signs off. Feedback gathered from a committee contradicts itself and turns one edit into three, which is why we ask who the approver is before the shoot, not after the grade.
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