Social media videos that stop the scroll.

That's the point of batch production: we plan every shoot to produce a series, not a single video. Depending on format, locations and talent, one well-planned day can cover several weeks of publishing. We define the exact batch size with you before the shoot — so you know what you get.

Platform-native by default: 9:16 vertical for Reels, TikTok, Shorts and Stories, plus 1:1 and 16:9 masters where they make sense. Every video comes with captions, since most social video is watched on mute — and named, organized files ready to publish.

Both — and we plan for it. Organic pieces are built to feel native and earn engagement; paid variants add clear CTAs and multiple hooks so you can test what converts. One production feeds both channels instead of two separate budgets.

You see a first draft within about two weeks. Batches are delivered on a rolling schedule, so you can start publishing while the rest of the series is being finished. The full timeline is agreed before we start — and we stick to it.

Four stages with dates agreed before we start: concept and script (1–2 weeks), pre-production — casting, locations, schedule (1 week), the shoot (1–3 days), then edit, grade and sound with a first cut within two weeks of wrapping. You have one contact person the whole way, and every milestone has a date in writing before the first invoice.

You do. The film, the footage and the project files are yours, with no expiry and no renewal fee to us. What does carry a term is what we license from third parties: music, stock and — when we cast professional talent — the usage agreed for their appearance, which is priced by territory and duration under the Swiss SSFV / SzeneSchweiz guidelines. All of that is written into the quote before the shoot, never invoiced afterwards.

Two, and they are in the schedule with dates: one on the first cut, one on the near-final version. In practice what decides whether two is enough is not the number — it is whether one named person signs off. Feedback gathered from a committee contradicts itself and turns one edit into three, which is why we ask who the approver is before the shoot, not after the grade.