A great brand film builds trust in seconds and performs across paid, social and web. We've made them for Siemens, Porsche and FIFA — measured on results, not applause.
💰 Typical projects: CHF 5'500–17'000 · calculate yours →
A brand film is an investment. Here's what it buys.
One flagship film built around a single clear message — ready to lead your campaign on TV, web and paid media.
6, 15 and 30-second versions in 16:9, 9:16 and 1:1 — one shoot, a full campaign toolkit.
Feature-film discipline on set and in post. Our founder was the producer of the first Swiss feature film on Netflix.
We plan for outcomes, not applause. A Viven brand film drove 3× more website visits for Siemens.
A few recent brand films. Hit play.
It depends on concept, cast, locations and shooting days — a single-location film costs less than a multi-day campaign shoot. Because we run everything end to end, you get a fixed, transparent quote before production starts. No surprises, no hidden extras.
Most hero films land between 60 and 90 seconds — long enough to build emotion, short enough to hold attention. From the hero film we cut 6, 15 and 30-second versions so every channel gets the length it needs.
We agree on the timeline before we start — and we stick to it. You see a first draft within two weeks of the shoot, and most brand films go from brief to delivery in a few weeks, not months.
Yes. Every brand film ships with cutdowns and aspect ratios for paid, social and web — 16:9, 9:16 and 1:1 — plus subtitles in English, German and Spanish if you need them.
Four stages with dates agreed before we start: concept and script (1–2 weeks), pre-production — casting, locations, schedule (1 week), the shoot (1–3 days), then edit, grade and sound with a first cut within two weeks of wrapping. You have one contact person the whole way, and every milestone has a date in writing before the first invoice.
You do. The film, the footage and the project files are yours, with no expiry and no renewal fee to us. What does carry a term is what we license from third parties: music, stock and — when we cast professional talent — the usage agreed for their appearance, which is priced by territory and duration under the Swiss SSFV / SzeneSchweiz guidelines. All of that is written into the quote before the shoot, never invoiced afterwards.
Two, and they are in the schedule with dates: one on the first cut, one on the near-final version. In practice what decides whether two is enough is not the number — it is whether one named person signs off. Feedback gathered from a committee contradicts itself and turns one edit into three, which is why we ask who the approver is before the shoot, not after the grade.
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