Corporate film production for leadership messages, keynotes and event aftermovies — business video people actually watch. Made for UBS, FIFA and Philips.
💰 Typical projects: CHF 4'500–16'000 · calculate yours →
Corporate video is how modern companies talk — to their people and their market. Here's what we produce.
Company stories, leadership messages and milestone films that carry your message with credibility.
Multi-camera event films, keynotes and aftermovies — with social-ready highlights, often by the next day.
Onboarding, town halls and culture films your teams actually watch to the end.
Subtitles, language versions and formats for intranet, LinkedIn and event screens — ready to publish.
A few recent corporate and event productions. Hit play.
It depends on scope — a single-camera interview film costs less than a multi-day event production. Most Viven projects range from CHF 4,000 to 80,000, and you always get a fixed, transparent quote before we start.
Yes. We plan the coverage with you, film with a multi-camera crew, and deliver an aftermovie plus short social clips — often with first highlights ready the next day.
Absolutely — leadership messages, town halls, onboarding and culture films. The same craft as our external work, tailored to what your teams actually watch.
Yes. Subtitles and language versions in English, German and Spanish are standard, and additional languages are straightforward — one production serves every office.
Four stages with dates agreed before we start: concept and script (1–2 weeks), pre-production — casting, locations, schedule (1 week), the shoot (1–3 days), then edit, grade and sound with a first cut within two weeks of wrapping. You have one contact person the whole way, and every milestone has a date in writing before the first invoice.
You do. The film, the footage and the project files are yours, with no expiry and no renewal fee to us. What does carry a term is what we license from third parties: music, stock and — when we cast professional talent — the usage agreed for their appearance, which is priced by territory and duration under the Swiss SSFV / SzeneSchweiz guidelines. All of that is written into the quote before the shoot, never invoiced afterwards.
Two, and they are in the schedule with dates: one on the first cut, one on the near-final version. In practice what decides whether two is enough is not the number — it is whether one named person signs off. Feedback gathered from a committee contradicts itself and turns one edit into three, which is why we ask who the approver is before the shoot, not after the grade.
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